In creating the basso continuo of the Six Sonatas op. 24, it was essential to consider the innovative spirit of Devienne: in it's short existence it crossed the Ancien RĂ©gime, the French Revolution and finally the First Republic; born in the Enlightenment period, it's art later knew the cultural movement of the Sturm und Drang, and reached the threshold of Romanticism. The freshness of his melodies spontaneously suggested the continuous dialogue between Bassoon and Piano, the latter not relegated to a pure accompanying instrument but an integral part of the Sonatas: in the "Allegro" his virtuosity, sometimes almost acrobatic, never appears intrusive but complementary to the solo part; as also in the "Adagio", pervaded by melancholy, delicate and sometimes poignant lyricism, his phrasing moves discreetly, caressing the main voice by sharing it's emotions.
In creating the basso continuo of the Six Sonatas op. 24, it was essential to consider the innovative spirit of Devienne: in it's short existence it crossed the Ancien RĂ©gime, the French Revolution and finally the First Republic; born in the Enlightenment period, it's art later knew the cultural movement of the Sturm und Drang, and reached the threshold of Romanticism. The freshness of his melodies spontaneously suggested the continuous dialogue between Bassoon and Piano, the latter not relegated to a pure accompanying instrument but an integral part of the Sonatas: in the "Allegro" his virtuosity, sometimes almost acrobatic, never appears intrusive but complementary to the solo part; as also in the "Adagio", pervaded by melancholy, delicate and sometimes poignant lyricism, his phrasing moves discreetly, caressing the main voice by sharing it's emotions.
https://obsessionrecords.com 8007068521227
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Details
- Format: CD
- Label: BON
- Rel. Date: 11/13/2020
- UPC: 8007068521227
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Available Formats and Editions
MP3
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1. Bassoon Sonata No. 1 In C Major, Op. 24 No. 1: I. Allegro
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2. Bassoon Sonata No. 1 In C Major, Op. 24 No. 1: II. Adagio
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3. Bassoon Sonata No. 1 In C Major, Op. 24 No. 1: III. Minuetto Con Variazioni
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4. Bassoon Sonata No. 2 In G Major, Op. 24 No. 2: I. Allegro Maestoso
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5. Bassoon Sonata No. 2 In G Major, Op. 24 No. 2: II. Adagio
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6. Bassoon Sonata No. 2 In G Major, Op. 24 No. 2: III. Rondò Moderato
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7. Bassoon Sonata No. 3 In F Major, Op. 24 No. 3: I. Allegro
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8. Bassoon Sonata No. 3 In F Major, Op. 24 No. 3: II. Largo
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9. Bassoon Sonata No. 3 In F Major, Op. 24 No. 3: III. Rondò
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10. Bassoon Sonata No. 4 In B Major, Op. 24 No. 4: I. Allegro Moderato
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11. Bassoon Sonata No. 4 In B Major, Op. 24 No. 4: II. Adagio
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12. Bassoon Sonata No. 4 In B Major, Op. 24 No. 4: III. Tempo Di Minuetto
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13. Bassoon Sonata No. 5 In G Minor, Op. 24 No. 5: I. Allegro Con Espressione
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14. Bassoon Sonata No. 5 In G Minor, Op. 24 No. 5: II. Adagio
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15. Bassoon Sonata No. 5 In G Minor, Op. 24 No. 5: III. Rondò
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16. Bassoon Sonata No. 6 In C Major, Op. 24 No. 6: I. Allegro Moderato
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17. Bassoon Sonata No. 6 In C Major, Op. 24 No. 6: II. Adagio
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18. Bassoon Sonata No. 6 In C Major, Op. 24 No. 6: III. Rondò Poco Moderato
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More Info:
In creating the basso continuo of the Six Sonatas op. 24, it was essential to consider the innovative spirit of Devienne: in it's short existence it crossed the Ancien RĂ©gime, the French Revolution and finally the First Republic; born in the Enlightenment period, it's art later knew the cultural movement of the Sturm und Drang, and reached the threshold of Romanticism. The freshness of his melodies spontaneously suggested the continuous dialogue between Bassoon and Piano, the latter not relegated to a pure accompanying instrument but an integral part of the Sonatas: in the "Allegro" his virtuosity, sometimes almost acrobatic, never appears intrusive but complementary to the solo part; as also in the "Adagio", pervaded by melancholy, delicate and sometimes poignant lyricism, his phrasing moves discreetly, caressing the main voice by sharing it's emotions.
